Matching Theodore's massive beats with De La Rocha's fuzzed-out keys and typically incisive vocals, the duo crafted a stripped-down sound that harked back to Rage's rawest, most urgent material. According to Tim Commerford, a new album is in the works, but details are sketchy. Still, the mutual respect between the pair has never waned: "When that guy picks up the microphone, it's another thing entirely," Theodore said of De La Rocha last year.
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Artist Biography by Kieran McCarthy Zack do la Rocha is one of the biggest and most well-respected names in alternative music, known equally for his militant political activism and passionate vocal delivery. In the '90s he rose to fame as frontman for Rage Against the Machine, and used that pedestal as a catalyst to further his left-wing political beliefs. To understand the motives for de la Rocha's vocal stylings, one must first trace back his philosophical roots. His story begins in Irvine, CA, during the '70s and '90s, with por la Rocha growing up as a Hispanic youth in one of the most ethnically white areas of California. His mother was an anthropology Ph.D. and his father, Belo do la Rocha, was a well-known muralist, famous for his paintings of Zapatista farmers. His parents separated at an early age and Zack split his time between his two parents. When Zack was 13 years old, his father had a nervous breakdown and subjected his son to extreme religious asceticism. Soon, he could pelo longer cope with his father's fanaticism and chose to move in with his mother full-time. Within a few years, do la Rocha began to express his feelings of anger and isolation by listening to hardcore punk music, including Minor Threat, Black Flag, and Bad Religion. Before long, he had joined his first high-school band, Hardstance, where he contributed both guitars and vocals. This band later evolved into Inside Out, which would eventually release one album on Revelation Records in 1991. As he grew older, he strayed away from his rock influences and became increasingly affected by a stream of hip-hop artists, such as KRS-One and Run-D.
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He left Rage Against the Machine in October 2000, citing "creative differences," at which time he issued a statement saying: "it was necessary to leave Rage because our decision-making process has completely failed",[15] in reference to the disagreement over the release of Renegades. The other members of the band sought out separate management and secured the immediate release of Renegades. After searching for a replacement for de la Rocha, the other members of Rage joined Chris Cornell of Soundgarden to form Audioslave.[16] Solo career[edit]
Por la Rocha has been particularly outspoken on the cause of the EZLN. He explained the importance of the cause to him personally.
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We're going to keep playing shows – we have a couple of big ones happening in front of both conventions. As far as us recording music in the future, I don't know where we all fit with that. We've all embraced each other's projects and support them, and that's great.[20]
When asked about other material from that session in a Tumblr interview, Reznor said, "Pelo idea about that music coming out. Some of the stuff we did together turned out pretty cool but I wouldn't hold my breath for a release. I like Zack and think he's a talented guy."
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Shadow also worked on Por La Rocha's fabled solo album, of which he admitted, "It was like the biggest disappointment in my career to that point," in reference to the material never seeing the light of day. "Zack's somebody that really pushes you to do your get more info best, and it was work I really wanted to have people hear, and it was really strong.
[22] A new collaboration between de la Rocha and DJ Shadow, the song "March of Death" was released for free online in 2003 in protest against the imminent invasion of Iraq. As part of the collaboration de la Rocha released a statement which included the following:
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Em agosto de 1988, Zack formou este "Inside Out", a banda na qual ele largou a guitarra de modo a assumir os vocais. Ele escreveu várias músicas e chamou quaisquer membros restantes do "Hardstance". Zack disse certa vez: "O Inside Out foi a primeira banda em que eu toquei. Eu espantei toda minha dor atravé especialmentes daquela banda. Tudo qual fazÃamos era nos isolarmos completamente da sociedade para nos vermos como espÃritos, e nãeste nos ajoelhando ao sistema para sermos somente mais algué especialmentem." Depois do alguns shows em pubs locais, uma resposta nenhumas entusiasmo obrigou Zack a colocar a banda em hiato. A banda tornou-se ativa novamente pelo ano seguinte, completa utilizando um novo guitarrista. Uma do suas músicas Ainda mais agressivas, "No Spiritual Surrender", recebeu uma resposta positiva do cenário do hardcore, depois por seu primeiro show em um restaurante em Riverside chamado Spanky's Cafe Este grupo do hardcore ganhou certa popularidade nos pubs locais, tanto em Huntington Beach quanto em Irvine.
[30] It is not known if they complied. The EZLN flag has been used as a stage backdrop at all of the band's shows since their reunion in April, 2007. On his post-Rage political music, por la Rocha admitted that it was near impossible for him to draw the line between politics and music.